Current Gallery: manhattanmoments ( piece)
Brian Boyce's work is clearly influenced by the childhood memory of textures, colors and shapes of the Vermont landscape around him. Brian’s love of the city is also obvious--his choice of subject matter weaves between industrial and natural settings showing a love for random beauty. He says of his work "The real aesthetic of a city, to me, is the unplanned, the organic, and the residual. The chaos of 100 years worth of change along a city roofline superimposed on a neighboring scattering of watertowers feels as natural to me as a cluster of trees on the side of a hill, and as cozy as an intimate still life. A block of buildings feels like bottles on a table, or passengers hovering on a subway platform."
Brian Boyce's work is clearly influenced by the childhood memory of textures, colors and shapes of the Vermont landscape around him. Brian’s love of the city is also obvious--his choice of subject matter weaves between industrial and natural settings showing a love for random beauty. He says of his work "The real aesthetic of a city, to me, is the unplanned, the organic, and the residual. The chaos of 100 years worth of change along a city roofline superimposed on a neighboring scattering of watertowers feels as natural to me as a cluster of trees on the side of a hill, and as cozy as an intimate still life. A block of buildings feels like bottles on a table, or passengers hovering on a subway platform."